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The complete number of Kyrgyzstan gambling halls is a fact in question. As information from this nation, out in the very remote interior area of Central Asia, tends to be difficult to receive, this may not be all that astonishing. Whether there are 2 or three authorized gambling halls is the item at issue, maybe not quite the most all-important article of data that we don’t have.

What will be accurate, as it is of the majority of the ex-USSR nations, and definitely correct of those located in Asia, is that there certainly is a good many more not allowed and bootleg market gambling halls. The adjustment to legalized betting didn’t empower all the former locations to come away from the illegal into the legal. So, the bickering regarding the number of Kyrgyzstan’s gambling halls is a tiny one at best: how many accredited ones is the element we’re trying to resolve here.

We understand that located in Bishkek, the capital municipality, there is the Casino Las Vegas (a stunningly unique name, don’t you think?), which has both gaming tables and slot machines. We will also see both the Casino Bishkek and the Xanadu Casino. The pair of these have 26 video slots and 11 table games, divided between roulette, blackjack, and poker. Given the remarkable similarity in the size and setup of these two Kyrgyzstan gambling halls, it might be even more surprising to find that both are at the same location. This appears most unlikely, so we can likely determine that the list of Kyrgyzstan’s gambling dens, at least the legal ones, stops at two members, one of them having altered their title a short while ago.

The nation, in common with almost all of the ex-Soviet Union, has undergone something of a fast adjustment to capitalistic system. The Wild East, you may say, to reference the chaotic ways of the Wild West an aeon and a half back.

Kyrgyzstan’s gambling halls are in reality worth visiting, therefore, as a bit of anthropological analysis, to see cash being played as a type of social one-upmanship, the absolute consumption that Thorstein Veblen wrote about in 19th century America.

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